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6,455 changes: 6,455 additions & 0 deletions ontology/graph.ttl

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4 changes: 2 additions & 2 deletions ontology/graphs/aeneid.ttl
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@prefix rdf: <http://www.w3.org/1999/02/22-rdf-syntax-ns#> .
@prefix rdfs: <http://www.w3.org/2000/01/rdf-schema#> .
@prefix schema: <http://schema.org/> .
@prefix void: <http://rdfs.org/ns/void#> .
@prefix wd: <http://www.wikidata.org/entity/> .
@prefix xsd: <http://www.w3.org/2001/XMLSchema#> .

# ==============================================================================
# THE AENEID (Epic Poem, 19 BCE)
# AENEID (Epic Poem, 19 BCE)
# ==============================================================================

<aeneid> a monomyth:NarrativeWork,
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dcterms:title "Aeneid"@en ;
dcterms:created "-0018"^^xsd:gYear ;
dcterms:creator "Publius Vergilius Maro" ;
schema:countryOfOrigin wd:Q38 ;
schema:genre "Epic Poetry"@en,
"Mythological Literature"@en ;
owl:sameAs wd:Q60220 ;
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139 changes: 70 additions & 69 deletions ontology/graphs/batman.ttl
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Expand Up @@ -157,6 +157,7 @@ forgiveness."""@en ;
owl:sameAs wd:Q48893069 .

# --- Stage Realizations ---------------

<batman-year-one/stages/the-train-to-gotham> a monomyth:StageRealization ;
rdfs:label "The Train to Gotham"@en ;
monomyth:realizesStage monomyth:TheCallToAdventure ;
Expand Down Expand Up @@ -465,75 +466,6 @@ the hope and leverage necessary to finally cleanse Gotham's corrupt system."""@e
monomyth:stageRealizationOrder 17 ;
monomyth:hasNarrativeDivergence <batman-year-one/divergences/narrative/origin-as-stasis> .

# --- Sequential Divergences ----------------------

<batman-year-one/divergences/sequential/distributed-sequence> a monomyth:SequentialDivergence ;
rdfs:label "Distributed Road of Trials"@en ;
monomyth:divergenceOf <batman-year-one/stages/the-distributed-trials> ;
monomyth:divergesFrom monomyth:TheRoadOfTrials ;
monomyth:divergenceRationale """The Road of Trials is realized as a distributed series of events,
rather than a single linear stage following the Departure. This sequential overlap allows the trials
to act as the catalyst for the hero's transformation while simultaneously serving as the initiatory
tests of his new identity."""@en .

<batman-year-one/divergences/sequential/the-catalyst-inversion> a monomyth:SequentialDivergence ;
rdfs:label "The Catalyst Inversion (Belly Before Threshold)"@en ;
monomyth:divergenceOf <batman-year-one/stages/the-beating> ,
<batman-year-one/stages/beating-flass> ;
monomyth:divergesFrom monomyth:TheBellyOfTheWhale ,
monomyth:TheCrossingOfTheFirstThreshold ;
monomyth:divergenceRationale """In Campbell's traditional framework, the hero crosses the
threshold into the unknown and is subsequently swallowed into the Belly of the Whale. In Gordon's
Neo-Noir journey, this sequence is inverted. He is first ambushed and 'swallowed' by the corrupt
system (The Beating). This traumatic 'black moment' acts as the necessary catalyst for his
metamorphosis, forcing him to proactively cross the threshold by hunting down his guardian (Flass)
to solidify his rebirth as an active combatant."""@en .

# --- Semiotic Divergences ----------------------

<batman-year-one/divergences/semiotic/secular-realism> a monomyth:SemioticDivergence ;
rdfs:label "Neo-Noir Secularization"@en ;
monomyth:divergenceOf <batman-year-one/stages/the-train-to-gotham> ,
<batman-year-one/stages/the-bat-at-the-window> ,
<batman-year-one/stages/the-dinner-party-ambush> ,
<batman-year-one/stages/the-tenement-siege> ,
<batman-year-one/stages/the-extramarital-affair> ,
<batman-year-one/stages/confession-to-barbara> ;
monomyth:divergesFrom monomyth:TheCallToAdventure ,
monomyth:SupernaturalAid ,
monomyth:TheCrossingOfTheFirstThreshold ,
monomyth:TheBellyOfTheWhale ,
monomyth:WomanAsTheTemptress ,
monomyth:AtonementWithTheFather ;
monomyth:divergenceRationale """Across both Bruce Wayne's and Jim Gordon's journeys, Campbell's
traditional mythic signifiers (magic, monsters, sirens, and cosmic gods) are radically translated
into grounded, Neo-Noir realism. For Bruce, magical aids become totemic animals and monster bellies
become industrial tenements. For Gordon, the 'Temptress' is not a magical siren but the mundane,
destructive reality of an extramarital affair, and the 'Atonement with the Father' replaces a cosmic
deity with a corrupt Police Commissioner. The structural functions of the myth remain perfectly
intact, but the semiotic vocabulary is entirely secular, psychological, and systemic."""@en .

<batman-year-one/divergences/semiotic/semiotic-dehumanization> a monomyth:SemioticDivergence ;
rdfs:label "The Symbol as an Immune Agent"@en ;
monomyth:divergenceOf <batman-year-one/stages/the-absent-temptation> ;
monomyth:divergesFrom monomyth:WomanAsTheTemptress ;
monomyth:divergenceRationale """In Campbell's model, the hero must resist the 'odor
of the flesh.' The stage of the Temptress is absent for Batman. While Selina Kyle possesses
all the archetypal traits of a Temptress, Bruce is immune because he has split his identity: Batman
is a semiotic device, not a man, and symbols cannot be tempted. By constituting himself as a
non-negotiable sign (Batman) rather than a person, he makes the category of temptation 'malformed.'
You cannot seduce a symbol that has no negotiable interiority."""@en .

<batman-year-one/divergences/semiotic/the-human-elixir> a monomyth:SemioticDivergence ;
rdfs:label "Alliance as the Ultimate Boon"@en ;
monomyth:divergenceOf <batman-year-one/stages/the-bridge-rescue> ;
monomyth:divergesFrom monomyth:TheUltimateBoon ;
monomyth:divergenceRationale """In classical myth, the Boon is often an object like the Holy
Grail. In this grounded noir setting, the 'Grail' is semiotically shifted to a social contract: the
alliance between Batman and Gordon. The 'power to restore fertility' is literalized as saving a
child—the city's next generation—from the Roman's influence, representing a systemic victory over
corruption rather than a magical one."""@en .

# --- Narrative Divergences ----------------------

<batman-year-one/divergences/narrative/premature-start-refusal> a monomyth:NarrativeDivergence ;
Expand Down Expand Up @@ -626,3 +558,72 @@ beginning."""@en .
universe (the helper). In the Neo-Noir paradigm, the universe is indifferent or actively malignant.
The narrative strips away the 'Supernatural Aid' to emphasize the hero's absolute moral and physical
isolation; the honest cop must survive without a safety net."""@en .

# --- Sequential Divergences ----------------------

<batman-year-one/divergences/sequential/distributed-sequence> a monomyth:SequentialDivergence ;
rdfs:label "Distributed Road of Trials"@en ;
monomyth:divergenceOf <batman-year-one/stages/the-distributed-trials> ;
monomyth:divergesFrom monomyth:TheRoadOfTrials ;
monomyth:divergenceRationale """The Road of Trials is realized as a distributed series of events,
rather than a single linear stage following the Departure. This sequential overlap allows the trials
to act as the catalyst for the hero's transformation while simultaneously serving as the initiatory
tests of his new identity."""@en .

<batman-year-one/divergences/sequential/the-catalyst-inversion> a monomyth:SequentialDivergence ;
rdfs:label "The Catalyst Inversion (Belly Before Threshold)"@en ;
monomyth:divergenceOf <batman-year-one/stages/the-beating> ,
<batman-year-one/stages/beating-flass> ;
monomyth:divergesFrom monomyth:TheBellyOfTheWhale ,
monomyth:TheCrossingOfTheFirstThreshold ;
monomyth:divergenceRationale """In Campbell's traditional framework, the hero crosses the
threshold into the unknown and is subsequently swallowed into the Belly of the Whale. In Gordon's
Neo-Noir journey, this sequence is inverted. He is first ambushed and 'swallowed' by the corrupt
system (The Beating). This traumatic 'black moment' acts as the necessary catalyst for his
metamorphosis, forcing him to proactively cross the threshold by hunting down his guardian (Flass)
to solidify his rebirth as an active combatant."""@en .

# --- Semiotic Divergences ----------------------

<batman-year-one/divergences/semiotic/secular-realism> a monomyth:SemioticDivergence ;
rdfs:label "Neo-Noir Secularization"@en ;
monomyth:divergenceOf <batman-year-one/stages/the-train-to-gotham> ,
<batman-year-one/stages/the-bat-at-the-window> ,
<batman-year-one/stages/the-dinner-party-ambush> ,
<batman-year-one/stages/the-tenement-siege> ,
<batman-year-one/stages/the-extramarital-affair> ,
<batman-year-one/stages/confession-to-barbara> ;
monomyth:divergesFrom monomyth:TheCallToAdventure ,
monomyth:SupernaturalAid ,
monomyth:TheCrossingOfTheFirstThreshold ,
monomyth:TheBellyOfTheWhale ,
monomyth:WomanAsTheTemptress ,
monomyth:AtonementWithTheFather ;
monomyth:divergenceRationale """Across both Bruce Wayne's and Jim Gordon's journeys, Campbell's
traditional mythic signifiers (magic, monsters, sirens, and cosmic gods) are radically translated
into grounded, Neo-Noir realism. For Bruce, magical aids become totemic animals and monster bellies
become industrial tenements. For Gordon, the 'Temptress' is not a magical siren but the mundane,
destructive reality of an extramarital affair, and the 'Atonement with the Father' replaces a cosmic
deity with a corrupt Police Commissioner. The structural functions of the myth remain perfectly
intact, but the semiotic vocabulary is entirely secular, psychological, and systemic."""@en .

<batman-year-one/divergences/semiotic/semiotic-dehumanization> a monomyth:SemioticDivergence ;
rdfs:label "The Symbol as an Immune Agent"@en ;
monomyth:divergenceOf <batman-year-one/stages/the-absent-temptation> ;
monomyth:divergesFrom monomyth:WomanAsTheTemptress ;
monomyth:divergenceRationale """In Campbell's model, the hero must resist the 'odor
of the flesh.' The stage of the Temptress is absent for Batman. While Selina Kyle possesses
all the archetypal traits of a Temptress, Bruce is immune because he has split his identity: Batman
is a semiotic device, not a man, and symbols cannot be tempted. By constituting himself as a
non-negotiable sign (Batman) rather than a person, he makes the category of temptation 'malformed.'
You cannot seduce a symbol that has no negotiable interiority."""@en .

<batman-year-one/divergences/semiotic/the-human-elixir> a monomyth:SemioticDivergence ;
rdfs:label "Alliance as the Ultimate Boon"@en ;
monomyth:divergenceOf <batman-year-one/stages/the-bridge-rescue> ;
monomyth:divergesFrom monomyth:TheUltimateBoon ;
monomyth:divergenceRationale """In classical myth, the Boon is often an object like the Holy
Grail. In this grounded noir setting, the 'Grail' is semiotically shifted to a social contract: the
alliance between Batman and Gordon. The 'power to restore fertility' is literalized as saving a
child—the city's next generation—from the Roman's influence, representing a systemic victory over
corruption rather than a magical one."""@en .
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